Innate values? A semiotics of imagery writing
DOI:
https://doi.org/10.18830/issn2238-362X.v13.n2.2023.08Keywords:
History of Writing. Semiotics. Graphism. Value of Difference. Writing Supports.Abstract
In order to contribute to the field of studies on the history of writing, in this paper we aim to establish an analysis based on the epistemological assumptions of the Greimasian Semiotics to develop a proper semiotic comprehension of a series of phenomena directly related to the formal constitution of the writing technique. By considering that writing already emerges as a technique imbued with a series of values that seem to be inherent to its own form and that are frequently accepted as a priori data, in this paper, we will demonstrate how graphism – a fundamental strategy for creating writing forms – already employs a series of resources previously developed by older composition strategies (such as assemblage and carving) to enable the manifestation of meaningful forms that come into being through writing. Thus, we aim to challenge certain current definitions of our technique (writing) by introducing an understanding that is based on the belief that the history of writing begins long before the invention of the cuneiform during the Bronze Age.
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References
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CHRISTIN, A.-M. L’Écriture et l’image. Écriture et ima¬ge, n. 1, 2020. 147-164 p., 15 nov. 2020.
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HJELMSLEV, L. Prolegômenos a uma Teoria da Lin¬guagem. São Paulo: Editora Perspectiva S.A., 1961.
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